First Month in Japan

I refuse to believe it’s already been a month, even though Spain seems like a lifetime ago now. I’ll never get over how travel messes with our perception of time.

I’m writing from my little apartment in the south of Osaka, a low down neighborhood with plenty of personality. I’ve learned so much already, my preconceptions of Japan simultaneously obliterated, reinforced, and nuanced. There are places and circumstances in which every stereotype you’ve ever heard about this country feels like the truth of the universe, but more often something reaches out to subvert and upend you.
During the past few weeks I’ve taken reams of notes. I’m finally starting to feel my way toward fleshing out the scenes I’ve been anxiously waiting to write for more than a year. Inspiration got off her leash and she’s running circles around me. So many characters and stories have been building up, waiting for the key of the land to guide them onto the page. I’m walking the streets, drinking at the bars, meeting the people, learning the things, and finding the secrets…a few of them anyway.

Last month I took a road trip to Ise shrine, where important elements from the 19th century segment of The Changing Things finally fell into place. The shrine grounds, the pilgrimage entertainment districts, and the ever-flowing river… but I also needed a mountain. Luckily, my Montana powers helped me sniff one out. There may have been thousands of people at the shrine, but not a soul could be found on the long lonely path which led me to the top of Tsuzumigatake Yama, a place so desolate I wondered whether I was on haunted ground, particularly when I discovered an old makeshift shrine (tori gates above) guarded by a pair of screaming ravens and the nearby shuffling sounds of wild boar. From the mountain peak I could see across the entire prefecture to the bay and the ocean beyond.

Earlier I’d stood in line to pray at the altar of the Kami Amaterasu. I always ask for the same thing at these shrines: the wisdom and inspiration to write my books with integrity, to honor the history and people of the places I visit. As I finished my prayer the white curtain separating the altar from the inner grounds slowly billowed and levitated up to my eye line, granting me a glimpse of what lie beyond and a sense of spiritual connection.

Later, as I told this story to a friend, the second I said the words: “I really felt as if my prayer had been heard,” a bird shit on my face.

And as the Buddhists say, I instantly achieved enlightenment. It’s a hilarious world out there, my friends, a profound fusion of intricate meaning and vacant absurdity.

This month my Patrons will get to read an early draft of what may or may not end up as the main book’s chapter one. It’s still too soon to tell. In any case it’ll be the chapter which kicks things off for Nicodemus, our wayward hero, and his journey into the world of The Changing Things. To learn how to join this illustrious group of black horse gamblers, you can always click the thing.

In tooth and claw,



Introducing the Changing Things

Support us on Patreon to get involved!
For the past two years I’ve been developing a new series of books called The Changing ThingsThis is the story of 47 ancient monsters who gave up immortality to become human and die in peace. Now, in the twenty-first century, many of their old memories have started to resurface. The 47 are drawn back into community and forced to face their true nature.
To make this book a reality I left home last year to live in Europe. My next move to Japan in March will be the biggest, most daunting step I’ve taken, and today I want to invite you to be involved. 
I’ve launched a Patreon campaign for anyone who wants to support the project. Members get an inside view of my development process, early releases, and priority access to the goods. By participating in this campaign you will be making it possible for me to achieve the realism, continuity, and professional assistance necessary to reach the story’s full potential.
Patreon can be kind of a confusing system so feel free to contact me directly if you have any questions. As always, thank you for reading and supporting my obsession with writing the weird stuff! 

Avet: phantom caravan


Only a few hours after meeting in person for the first time, painter Maja Ruznic and I started to collaborate. At the time we didn’t really know what the project would look like, and even now the parameters aren’t fully defined. But it would involve small paintings and even smaller stories. The narrative would emerge out of the image. It would be called Avet: phantom caravan, though we only discovered this detail a week ago.

Spending time with Maja’s work is like peering into a phantom universe through the wrong end of a spyglass. The deeper you dig in, the further out you go. Each painting is made up of overlapping and sometimes contradictory dimensions coyly seducing their voyeurs into sorting out the affairs of their existence. Discover our secrets, they say. They hide within drenching atmospheres of alien color, and also within each other. Sometimes it’s hard to tell where one phantom ends and another begins. Listen to the chatter between the brush strokes. They are determined to communicate.

Maja and I met through her partner and my good friend Josh Hagler, another brilliant artist who recently allowed me to use his painting When Knight Turns Dancer: A Western Romance as the cover of my new short story collection, Nothing in Mind.

Avet will release a new story/painting pair every week. The first 5  are already up on the website. My intention with these vignettes is to write the way Maja paints, by creating scenes that suggest an expanse of unexplored stories hiding between the lines. Stories that wriggle with potential for readers to imagine new worlds on their own and for themselves.



Nothing in Mind

Today I’m excited to announce the publication of my first collection of short stories and poetry. Nothing in Mind, published by Asymmetrical Press, contains some of my earliest published stories as well as my latest experiments with fiction, poetry, and photography.


“Light as air and deadly serious.” -Molly Laich, The Independent 

  • A secret mythology of American pioneers.
  • The tale of a suicidal dragon who makes a remarkable self-discovery.
  • A play about a man digging up the bones of his old partner.
  • The quest of a fake Jehovah’s Witness who goes door to door to find a friend
  • A fable about a moon full of water.
  • The saga of a simple man who decides he no longer needs to breathe.

…Along with essays on inspiration and courageous living, short fiction that is surreal, whimsical, and sometimes horrific, poems of nature, passion, justice, and more…

Purchase and Review

If you enjoy Nothing In Mind, please consider leaving a review on Amazon. Those reviews help authors grow and get our writing in front of more people.

Ebook: Kindle | NookKobo | iBooks | Google Play
Print: Amazon

Nothing in Mind


My favorite job during last spring’s Asymmetrical Press WordTasting Tour was interrupting Skye Steele’s violin with shouts of, “You have to talk louder!” from the back of the room. It’s a guilty pleasure introducing a little chaos into a space and soaking up the brief awkward moments of concern and confusion. Fears that I might be a heckler or intruder would start to subside as the next words took up their familiar poetic rhythm, “–or your voice will not cary over the next fifty years…”

This poem, called Voice, is intensely personal to me. I wrote it in a frenzy, almost as a magical ritual or an attack against the emotional barriers that had been crippling me over the previous several years. This was me daring myself to push through a phase of paralytic silence in my relationships, useless anxieties about writing, and even a 10+ year long fear of flying. Voice was probably the first time I ever wrote myself into dramatic and lasting life changes.


On December 1st Voice will finally be available in print from Asymmetrical Press. The book, Nothing in Mind, is a collection of short fiction, poetry, photography, theatre, and essays (including I Need to Take this Thing that I Love and get Rid of it Immediately, which also featured at several WordTasting events). It contains work ranging as far back as one of my earliest published stories and as recent as a photo of an old film projector I took last week. It is a Smörgåsbord not only of format, but of genre and style: from the romantic to the whimsical, from the horrific to the cerebral. There’s a little of everything, which perhaps amounts to nothing. When choosing what to include I let the four classical elements be my guide. Each piece (sometimes brazenly) correlates to either earth, air, water, or fire… or else to the void, that heart of nothingness around which the elements anchor and materialize.

Photography introduces an extra dimension to the language. Sometimes the images and the writing connect in obvious ways, other times more subtly. They all come from the last four years of long walks in settings as varied as Montana, New York City, Barcelona, and Morocco. The most recent photo, mentioned earlier, was taken just a few days ago and slipped into the book at the last minute. Setting it on the facing page to a short poem calledFlicker gave the words a completely unintended and yet perfectly comprehensible new layer of meaning that I’d never considered before. Art just keeps on evolving, with or without our permission.


I’ve collaborated with some brilliant visual artists over years, and this book is no exception. The hypnotic cover art, originally a part of Joshua Hagler’s retina-smashing 2014 exhibition, Romancing the West, harmonizes in all the right ways with my obsession over elemental patchwork that concocted this collection.

Two small and exquisite paintings by “mother of phantoms” Maja Ruznic also appear in the book, along with the short vignettes they inspired.

Nothing in Mind will be available to order in print and e-formats on December 1st, but can be pre-ordered for kindle at this very moment.

Mystery Mark, the Movie

I don’t remember doing much of anything last summer that wasn’t connected in some way with Mystery Mark. I ate a lot of meals in Scott’s backyard where our tireless crew of volunteers constructed masks, puppets, and sets out of little more than paper mâché. The community effort was like nothing I’ve ever experienced before, and it resulted in an illustrated novella, a short animation based on the Midlife Dragon scene, and a live theatrical installation that we made free to the public.

A few weeks after the show closed Skye Grace Bennet from Montana Mafia Productions told us that she and cinematographer Kier Atherton wanted to turn Mystery Mark into a short film. We dragged the whole set out into the woods and shot it in one day. Local actor and patron of the arts Cathy Capps was kind enough to lend us her land for location.

One year later editing and color are done. Travis Yost did a bang up job recording the live score by Cash for Junkers.

And now here it is at last, in HD, just for you: the surreal and strange and unapologetic 15 minute short film: Mystery Mark.


Shapes Teaser

The short teaser for the novel, “Shapes the Sunlight Takes,” is finally finished.

Shot and directed by Sarah Meismer
Edited by Josh Wagner
Music by John Sporman
Starring Alexsa Prince, Dirk Lee, Austin Valley, and Lucy Heutmaker
Voiceover by Maiah Wynne

Learn more about the book here or order it on Amazon


Fiction Clemens Online

Wannabe Press, the online comics distributor responsible for the wonderfully insane Ichabod Jones, has taken up the task of presenting the entire Fiction Clemens graphic novel free to the public for the first time.

“There’s so much joy, such love of life and energy in this book, it positively made my heart dance.” –Comics Bulletin

Fiction Clemens was originally published in 2008 by Ape Entertainment, but the character and concept go back to the last millennium.

And I must confess, I did not invent my hero’s name…

It was around 1998 when my good friend and musical collaborator Christian Olson came running up to me, breathless, and insisted that I write a story about a character named Fiction Clemens. “The name’s yours,” he said. “Make me proud.” So I went straight home and kicked out some very weird fiction, which later essentially translated to the opening scene of issue one in which Fic walks into a bar in on a desert alien planet. Folks start talking to him in bizarre colloquialisms and all he can say in reply is, “Yup” or “Nope.” This four-page story made very little sense to anyone who read it, but Christian loved it and a few homeless artists camped out at the river even called it “the new poetry,” so I decided this Fiction guy must be destined for a thing or two.

A year later I put Fiction Clemens in my first novel, “The Adventures of the Imagination of Periphery Stowe,” as a side character, where he and his partner Dune Trixie are universe-hopping space adventurers. They’re sort of like Han Solo and Chewie to the book’s young hero, Riggs Bombay, providing him safe passage into the world of the Mind.

When I decided to tell Fiction’s origin story I originally wrote it as a screenplay. Some friends and I put together a fake trailer for the film, and started looking for storyboard artists. I found “the one” on Digital Webbing.

Joiton is a ridiculously talented artist from Argentina, who, despite knowing very little english at the time, was somehow able to translate my script perfectly into exactly the sort of visual layout I wanted. In 2004 his early pages ended up in the hands of the lovely and talented comics editor Lauren Perry (then with Silent Devil), who vowed to find Fic a home.

After putting out a call for colorists we ended up with three I couldn’t choose between, so I gave them each an issue. Alejandro (Alek) Marmontel got book 1, Veronica Gandini got book 2, and Nico Pena took book 3. Veronica has since gone on to color for Mice Templar and a variety of Marvel titles. The other guys are still out there creating some of the most brilliantly outrageous illustrations in the business. They wrapped production in about a year and Ape Entertainment published the book shortly thereafter.

To pay my artists I sold character likenesses. If you helped fund us, you got to pick a character whose looks would then be based on your very own mug. I raised half of the production money that way. Most of the characters you see in these pages have human counterparts out there in the “real” world.

Wannabe launched Fiction Clemens online today, posting the first 20 pages from the book. Another 20 go up next Monday. From then on it will be a page a week until the story’s chaotic conclusion.

Fiction Clemens has often been squeezed into the genre world as a “psychedelic sci-fi western.” It’s the story of an old west-type world resistant to progress and technology, and a cosmic conspiracy to drag the world onward regardless. It’s also a story of friendship, a messed-up karmic love triangle, and a man of few words.

If Fic sounds like your cup of tea, start reading it for free here. With each panel you can think to yourself, “I’m paying nothing, I’m stealing nothing. I must be living in the dawn of a new egalitarian age of openness and trust, of confidence and community. The future is my geoduck!”


“A futuristic western meets Alice in Wonderland or perhaps OZ, and that really doesn’t do the overall insanity of the book justice…There’s nothing quite like Fiction Clemens on the market.” –Newsarama

“The comedy is laugh out loud and the characters fascinating. The story itself kicks off with a bang and hardly ever relents.” –Broken Frontier

“[Fiction Clemens] is something fresh, hilarious and entertaining, exactly the kind of quirky project the non-major comic publishers should be offering us, and the kind of story that makes reading comics worthwhile.” –

Another End of the Road

After 2 months and 35 cities promoting Shapes the Sunlight Takes on Asymmetrical Press’ Word Tasting Tour, I traded the rental car for hiking boots and walked 80 miles across Montana’s Bob Marshall Wilderness. 10 days of winding rivers, grizzly tracks, cutthroat trout, vast and wild vistas, sunsets, wildlife, and 4-leaf clovers.

Living these duel experiences back-to-back nourished the full spectrum of my spirit. As fortunate as I was for the chance to read to and interact with audiences of up to 300 people at a time, the process called for intense effort. Occasionally we’d do the whole set up, perform, tear down, sleep, drive, set up, perform, etc… 5 or 6 days in a row. Our audiences, full of beautiful and engaging people, kept me going, but my introversion usually got the best of me by the end of an evening. Coming down in the solitude of the forest was exactly the recharge I needed.


Though I mostly read from Shapes, I opened every show with my poem Voice, and I had several opportunities to read my essay I Need to Take this Thing that I Love and Get Rid of it Immediately. Even at the roughest events, where I didn’t feel a lot of energy or connection, someone would approach me, often with tears in their eyes, to let me know how much these pieces moved them or to tell me who they would be sharing them with. “Can I get a link to that essay? I teach 8th grade and want to read it to my class,” are the greatest words a writer can hear. Both poem and essay will be available in my collection of short works called Nothing In Mind, coming out later this year.

One of the most rewarding parts of the tour was sharing the car and the stage with The Minimalists, Colin Wright, Shawn Mihalik, and Skye Steele—all brilliant, kind, and innovative artists from whom I learned more than a thing or two about performance, presentation, and interacting with readers. I grew in all these areas thanks to my companions and the non-stop pace of the tour. In the woods I reclaimed my stillness.


So what’s next? Along with Nothing In Mind‘s release, I have my hands full with a new stage play, Love Causes Cancer (co-written by Cory Fay of Holy Lands), comics pitches, a smattering of film projects, and the inklings of a new novel. This one’s about Japanese monsters. Later in the year I’ll make a full announcement about this book, which I will be live-writing online and undertaking huge life changes in order to create. My plan is to engage audiences in this project not only through its transparent and open-source nature, but through multiple avenues and opportunities for creative collaboration. I’m hoping to expand the process of novel writing into something more public and interactive than the usual isolated incarnation.

As always, stay tuned!

Jeff Medley as a Japanese demon (Oni)

Jeff Medley as a Japanese demon (Oni)